Petrina Good Production Consultant
Not available
Petrina Good

About me: I am available for freelance production opportunities, budgeting & interim HOP work . My skills lie in complex budgeting and logistics management, team leadership, creative cost reduction solutions, and looking for new ways of making telly through both new technologies and fresh ways of approaching traditional procedures.

Genre: Corporate, Documentary, Dramality, Factual Entertainment, Light Entertainment, Magazine Programmes, Multi camera Studio, Observational Documentary, Outside Broadcasts, Reality

Additional skills: 4K, Negotiating a contract with a broacaster


Scrambled Eggs

Production company: Spelthorne Community Television; On-screen credit: Head of Production; Programme type: Drama; Broadcaster: Sky Arts.

Urban Myth about Paul McCartney writing "Yesterday"


Production company: Stellify Media (NI); On-screen credit: Head of Production; Programme type: Multi camera Studio; Broadcaster: Netflix.

10 x 30 min comedy gameshow - 3 hosts and contestants shot as a de-rig in an abandoned mill on the outskirts of Belfast

Can't Touch This

Production company: Stellify Media / Sony Pictures Europe; On-screen credit: Production Consultant; Programme type: Multi camera Studio.

Facilitating the US pilot production of a new Saturday night entertainment Show

I Survived a Zombie Apocalypse

Production company: Tiger Aspect; On-screen credit: Production Executive; Programme type: Drama, Dramality; Broadcaster: BBC3.

An ambitious 8 part hybrid of Structured Reality and Drama involving Contestants and actors.

TOWIE Series 3-9

Production company: Lime Pictures; On-screen credit: Head of Production; Programme type: Reality; Broadcaster: ITV2.

Including negotiating year-long deals for 2012 and 2013


Production company: Lime Pictures; On-screen credit: Head of Production; Programme type: Reality; Broadcaster: MTV.

Overseeing 6 x Series - including one in Australia and a second in Cancun


Production company: Endemol UK; Programme type: OB, Reality; Broadcaster: C4 & E4.

Budgeting, scheduling and overseeing all logistics for both the Summer and Celebrity versions of this iconic programme which grew from 63 x 1/2 hour daily programmes to 94 x 1 hour editing daily shows; weekly live eviction shows; daily live magazine shows (BBLB) and weekly live discuss shows (BBBM). Built a house, re-built a house, annually re-furbished a house, oversaw a team of over 300, introduced new technologies to improve workflow and renewed and refreshed each Series.


Production company: Endemol UK; On-screen credit: Director of Production; Programme type: LE; Broadcaster: BBC1.

Overseeing 5 x Series of this successful Saturday tea-time show. Negotiating and working with a production hub and team in Argentina bringing along it’s own unique challenges


Endemol / Channel 4 & E4 A sad day when this finally ended though a couple of years later the format was re-invented, the hairdressing and beauty academy rebuilt three times in two separate locations for three successful series on BBC3 as Celebrity Scissorhands.


Production company: Endemol UK; Programme type: LE; Broadcaster: Sky One.

Series one was shot in Cape Town, Series Two in Buenos Aires. Series Three with Celebrities. Dangerous stunts, revolting stunts and foreign crews make for an challenging production.

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