8 years experience.
Genre: Documentary, Drama Documentary, Natural History
Additional skills: 4K, Covid Supervisor, EP Budgeting, EP Scheduling, Extreme Filming Geographical, Health And Safety, Underwater Filming
Willing to be based in: Bristol / South West, Remote
Languages: Fluent English, Fluent German
Credits
Our Oceans
Production company: Wild Space Productions; On-screen credit: Line Producer; Programme type: Natural History.
Landmark Natural History series set around the World’s Oceans. 5x 59 minutes. Took over LP role in the middle of acquisition phase. Worked closely with series producer to restructure budget to match ambition of the series. Oversight over remote expedition style shoots, staffing of large team, and substantial post production phase including VO record with A-list celebrity. Management of a team of 4 PMs, 5 PCs and 3 PMAs.
Welcome To Earth
Production company: Nutopia; On-screen credit: Production Manager; Programme type: Documentary, Natural History.
Large-scale natural history series hosted by Will Smith. Expedition-style shoot set-ups in 25 countries over the course of a two-year shooting period. Drawing up Covid protocols for location shoots abroad. Complete series re-budget and re-schedule due to Covid-19. Cost management of a large budget in PMI. Develop budget and schedule for commissioning of second series. Managing, contracting and preparing payroll for a production team of up to 45 at any given time.
Strip The Cosmos 3
Production company: Windfall Films; On-screen credit: Production Manager; Programme type: Documentary.
Graphics-heavy science programme featuring the latest research in astronomy and planetary science. Delivery to various channels and distributors. Managing two coordinators and a large team of self-shooting PDs and APs as well as a complex VFX delivery schedule.
Hidden Britain By Drone
Production company: Windfall Films; On-screen credit: Production Manager; Programme type: Documentary.
Fast turnaround drone programme based on archaeological findings made possible by the 2018 heatwave. 5 weeks from commission to broadcast. Shared with another production manager.
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